Description
1965 printing. Hardcover has some minor wear along the sides, scuffs and marks. No dust jacket. Spine has some wear on the top and bottom. Pages are clean and the binding is secure.
This unique volume, compiled by Gustave Frederic Soderland, offers a rare glimpse into the rich tapestry of sacred Renaissance music. Featuring examples of Gregorian chant, the foundational monophonic liturgical music of the Catholic Church, as well as works by the celebrated composers Lassus, Palestrina, and Ingegneri, this book is a treasure trove for scholars, musicians, and lovers of early music alike.
Orlande de Lassus, a Franco-Flemish Renaissance composer, is renowned for his sublime motets and masses, which exemplify the intricate polyphonic style of the era. Giovanni Pierluigi da Palestrina, often hailed as the “Prince of Music,” was a pivotal figure in the Roman School of Renaissance composers, whose works epitomized the ideals of the Counter-Reformation with their clarity and spiritual depth. Completing this illustrious trio is Marc’Antonio Ingegneri, a lesser-known but highly skilled composer whose sacred music showcases the rich harmonic language of the late Renaissance.
This volume offers a unique opportunity to study and appreciate the evolution of sacred music from the timeless Gregorian chants to the intricate polyphonic compositions of the Renaissance masters. With its well-preserved pages and secure binding, this 1965 printing stands as a testament to the enduring beauty and significance of these musical treasures.