Description
1981 edition. Paperback cover has some minor wear along the sides, scuffs and bending. Spine has some reading creases and wear. Pages are clean and the binding is secure.
This revised edition of Francis Ames-Lewis’ seminal work, “Drawing in Early Renaissance Italy,” offers a captivating exploration of the pivotal role drawing played in the artistic renaissance of 15th-century Italy. Ames-Lewis, a renowned scholar of Italian Renaissance art, meticulously examines the evolution of drawing techniques and their profound impact on the development of painting, sculpture, and architecture during this transformative period.
Through a rich tapestry of historical context and insightful analysis, Ames-Lewis unveils the significance of drawings as preparatory studies, independent works of art, and vehicles for artistic exchange. He delves into the lives and practices of celebrated masters like Botticelli, Leonardo da Vinci, and Michelangelo, shedding light on their innovative approaches to drawing and its influence on their iconic creations.
This well-preserved copy, despite its age and gentle wear, remains a valuable resource for art historians, collectors, and enthusiasts alike, offering a comprehensive and authoritative perspective on the seminal role of drawing in the artistic renaissance that shaped the cultural landscape of Italy and beyond.