ANTIPHONAL MUSIC FOR NINE FLUTES BY RICHARD F. HOBSON SCORE AND PARTS [Sheet music] RICHARD F. HOBSON

$51

Includes arrangements for all instruments and parts. Staple-bound cove has some normal wear and some fading. Pages are clean and in great condition.

A captivating avant-garde score by Richard F. Hobson, a pioneer of modern flute repertoire. “Antiphonal Music for Nine Flutes” embraces aleatory and indeterminacy, challenging conventions with intricate arrangements for nine flute parts. Inspired by Cage and Stockhausen, it invites exploration of timbres and spontaneity. A significant work from the daring experimentalism of the 1960s/70s musical avant-garde, intriguing for collectors, flautists, and ensemble musicians alike.

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SKU: VB22-227 Categories: , , , Product Condition: Used

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Includes arrangements for all instruments and parts. Staple-bound cove has some normal wear and some fading. Pages are clean and in great condition.

This intriguing score offers a unique glimpse into the experimental world of 20th-century avant-garde music. Composed by Richard F. Hobson, a pioneering figure in the realm of modern flute repertoire, “Antiphonal Music for Nine Flutes” represents a fascinating departure from traditional musical forms. Hobson’s innovative approach to composition challenged conventional notions of melody, harmony, and structure, embracing the principles of aleatory and indeterminacy that were gaining traction in the mid-20th century.

Inspired by the philosophical writings of John Cage and the groundbreaking works of composers like Karlheinz Stockhausen, Hobson sought to liberate music from its rigid constraints, allowing for greater spontaneity and interpretation by the performers. This particular score, with its intricate arrangements for nine individual flute parts, invites musicians to explore the rich tapestry of timbres and textures that can emerge from a single instrument family.

Collectors and enthusiasts of avant-garde music will appreciate the historical significance of this work, which stands as a testament to the daring experimentalism that defined the musical avant-garde of the 1960s and 70s. Moreover, flautists and ensemble musicians may find this score an intriguing challenge, offering opportunities for unique performances that blur the lines between composition and improvisation.

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