Description
1983 edition. Paperback cover has some minor wear along the sides, scuffs and bending. Spine has some reading creases and wear. Pages are clean and the binding is secure.
This scholarly study by Craig E. Adcock offers an in-depth analysis of Marcel Duchamp’s seminal work, “The Bride Stripped Bare by Her Bachelors, Even” (commonly known as “The Large Glass”). Duchamp, a leading figure in the Dada and Surrealist movements, revolutionized the art world with his unconventional approach and readymades. “The Large Glass,” an enigmatic and complex piece, challenged traditional notions of art and sparked countless interpretations. Adcock’s meticulous examination delves into the symbolism, themes, and technical aspects of this iconic work, shedding light on Duchamp’s innovative techniques and the cultural context that shaped his avant-garde sensibilities. This volume is a invaluable resource for art historians, students, and enthusiasts seeking a deeper understanding of Duchamp’s profound influence on modern and contemporary art.
